Review: Drive-By Truckers/Felice Brothers @ The Pabst

Posted on Friday 29 February 2008

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Another great evening at the Pabst Theater last night. Going into the performance I had some reservations that it couldn’t possibly match the Drive-By Truckers last stop at the same venue, but by the time all the empty PBR cans were accounted for I have no problem stating this show topped the previous.

In truth, part of what made the evening so special was watching The Felice Brothers perform their storied tales of adding whiskey to their whiskey and long-forgotten welterweights to a crowd that, for the most part, had no idea who they were prior to their set. By the time the lights went down and the Truckers hit the stage with their bottle of Jack Daniels, people were scrambling back to their seats with Felice Brothers records in their hands. Indeed a perfect bill with a lot of people going home with a new favorite.

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Starting their set with a couple of the acoustic driven selections from their most recent album, Brighter Than Creation’s Dark, the Truckers decided to gently warm the crowd before unleashing a fury of fist-pumping rock and roll that, and I’m only guessing here, left many people wishing they could hit the snooze button just one more time. The songs off Brighter Than Creation’s Dark have completely won me over after my initial questioning of its length and lighter numbers. The set list solidified that while Patterson Hood may remain the de facto leader of the group, he’s comfortable enough to stand aside and really let Mike Cooley and Shonna Tucker shine on their penned selections, many of which, especially after last night, have become favorites of mine across their entire catalog. The energy of “3 Dimes Down” was one of the main highlights off the new record, delivered with urgency that drove many the crowd around me to the near brink of insanity - plenty of air guitar.

It’s always true that seeing a band live can resurrect an album. It’s also true that seeing a band live reminds you just why you like them in the first place. My favorite track “Let There Be Rock” from Southern Rock Opera appeared during the encore and hours later still has me smiling, ear to ear, just as I did the first time I played that record thinking, this song nails what seeing live music is all about and all the memories that you retain from the shows you see.

Thanks to the Pabst for another great night, we’re already looking forward to our next time together. Don’t miss your chance to see the Drive-By Truckers this tour, they’re really playing the best I’ve heard them. Once you guys wake up and have some coffee drop us a comment and let us know if you feel the same.

Photos: CJ Foeckler - Please check the Pabst Theater Show Gallery for additional photos coming soon!

Previously: 5 Questions with The Felice Brothers

Myspace: Drive-By Truckers
Myspace: The Felice Brothers
MP3: The Felice Brothers - “Frankie’s Gun”
MP3: The Felice Brothers - “Wonderful Life”

uwmryan @ 8:42 am
Filed under: Concerts and News
From The Crowd | Bon Iver - “Skinny Love”

Posted on Friday 29 February 2008

From The Crowd shares some our favorite past concert moments captured in video (albeit sometimes shakey and out of focus). Unlike some of our other scheduled features, these videos will be posted sporadically. Chances are you may have been in the audience, if so, please feel free to leave your remembrances in the comments.

In preparation, and as a reminder of the upcoming Bon Iver performance at the Orpheum Stage Door on Friday, April 11th, I thought it warranted a look back at his last pass through Madison - this time in video. That, and because I still am enamored with the beautiful recording that is For Emma, Forever Ago. Oh, and because I’m excited to see Bon Iver + Black Mountain next week in Louisville.

Bon Iver - “Skinny Love” :

Tickets are now available and in short supply for the aforementioned Madison show on Friday, April 11th, please follow this link to buy tickets and guarantee your spot in the crowd.

Previously: From The Crowd | The Whigs - “Get Off Of My Cloud”
Previously: From The Crowd | The National “Baby, We’ll Be Fine!”
Previously: From The Crowd | The Hold Steady “Chips Ahoy!”
++
MoB: Homegrown: Bon Iver - For Emma, Forever Ago
MoB: 5 Questions with Bon Iver
MoB: Review: Madison Pop Fest
++
Myspace: Bon Iver
MP3: Bon Iver - “Skinny Love”

Find more MP3’s at The Hype Machine or buy stuff from Strictly Discs | eMusic

uwmryan @ 6:56 am
Filed under: All and From The Crowd and Video
Video: What Made Milwaukee Famous - “Sultan”

Posted on Thursday 28 February 2008

I just started spinning What Doesn’t Kill Us, the new record from What Made Milwaukee Famous due March 4th on Barsuk Records. Though the best introduction to album, at least for me, came yesterday with the release of the video for the song “Sultan.” Want to hear more? Grab the first free and legal download of the track “Resistance St.” below and you’ll be well-prepared come next Tuesday!

….speaking of Lance Armstrong, he’ll be in Madison on Tuesday, March 4th on behalf of his Livestrong Army promoting the Breathe Free Wisconsin Act.

Myspace: What Made Milwaukee Famous
MP3: What Made Milwaukee Famous - “Resistance St.”

uwmryan @ 12:46 pm
Filed under: Misc and News and Video
We Like: Jim White - Transnormal Skipperoo

Posted on Thursday 28 February 2008

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The first and only time I’ve ever seen Jim White in concert was over two years ago at the Orpheum Stage Door. Per usual, he mixed captivating storytelling and humor amongst his set list. It remains, unequivocally, one of my favorite performances in that venue, and fairs pretty well amongst all the concerts I’ve seen.

Jim White’s music evokes his Southern surroundings, the power of the creator, and sometimes the outright weird. Through that combination, his diamond-mind imagination and unique songwriting, he’s brought plenty of worthy records to my ears over the past few years. If this is your first introduction to his music, my personal favorite remains Drill a Hole in That Substrate and Tell Me What You See, followed closely by Wrong-Eyed Jesus!, though I’ve brought you here today to introduce you to his new work, which, at this pace of frantic repeated listens, could unset those previously referenced as the zenith of his body of work.

On March 4th Luaka Bop will release Jim White’s Transnormal Skipperoo. Jim describes the album title as “a name I invented to describe a strange new feeling I’ve been experiencing after years of feeling lost and alone and cursed. Now, when everything around me begins to shine, when I find myself dancing around in my back yard for no particular reason other than it feels good to be alive, when I get this deep sense of gratitude that I don’t need drugs or God or doomed romance to fuel myself through the gauntlet of a normal day, I call that feeling Transnormal Skiperoo.”

That description parlays itself into the music throughout the record, though long-time Jim White aficionados needn’t worry that he’s abandon his style of capturing a fleeting moment or telling a great story. My current favorite is the desolate and midnight drive number “Jailbird,” which White describes as “an old song from the days when I had to run from my problems.” The album’s first digital single (download below) is “Crash Into The Sun,” recorded by the renowned Tucker Martine and includes assistance from MoB favorite Laura Veirs. The song is full of vibrant energy, with a memorable/catchy chorus that could just as easily been released by label head and friend David Byrne.

Transnormal Skiperoo is a release that will reach past Jim’s weirdo fan base (myself included) and should garner him substantial praise and attention. There’s an old pledge of faith, which theorizes that there are certain artists good enough that you’d pay to listen to them read from the phone book. I think Jim’s the only one who could make that interesting enough to make it something I’d seriously entertain. Whatever he’s playing or reading a phone book, I just hope he does it in Wisconsin sometime this year.

Myspace: Jim White
MP3: Jim White - “Crash Into The Sun”

Find more MP3’s at The Hype Machine or buy stuff from Strictly Discs | eMusic

uwmryan @ 6:57 am
Filed under: Albums and MP3s and We Like
Milwaukee Concert Annoucement: Langhorne Slim

Posted on Wednesday 27 February 2008

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MoB favorite Langhorne Slim will play Mad Planet in Milwaukee on Saturday, March 22nd. I caught him at SXSW last year and had a great time, his was the first set I saw of the whole festival. We wait patiently for the arrival of his self-titled album to arrive on April 29th.

If you are not familiar with his music, I highly suggest you check out his Daytrotter session, complete with four free MP3’s to download. In fact, I’m going to dial that up on my iPod right now.

Myspace: Langhorne Slim

Find more MP3’s at The Hype Machine or buy stuff from Strictly Discs | eMusic

+Remember to bookmark our shows page for all your Wisconsin concert announcements+

uwmryan @ 11:30 am
Filed under: Concerts and News
An Interview With :: Hood Internet

Posted on Wednesday 27 February 2008

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SXSW is only a few short weeks away and, in preparation, we’re inviting our friends along to contribute leading up to the festival and to assist in coverage while we’re there. Hopefully, some will stay on afterwards to round out our regional coverage as well. Today my friend Jodi hooks us up with an interview with the Hood Internet, who ready their descent on Austin where we’ll find them doing their thing between sets at the blogger curated event, Hot Freaks“The Hot Freaks.

I’ll get the most generic question out of the way right here and now, what, exactly is the “Hood Internet?”

ABX: The Hood Internet is complex. We’re a blog, a DJ duo, your BFF, and that dude who spilled beer on your parents’ new sofa all rolled into one. We create and post mash-ups and remixes of stuff we like. The name Hood Internet comes from a Cam’ron movie.

Under the influence of a few too many PBR’s back at Schuba’s this past January, I had been bugging you to spin “Girls Just Wanna Fix Up,” the delicious blend of Cyndi Lauper and Dizzee Rascal. You had laughed it off,mentioning that was one of the first tracks to get you into the Hood. At what point did you sit down and think that this may really work?

STV SLV: We were getting a pretty good response from the “internet public,” which definitely encouraged us to make more tracks.

What other songs were playing in your head that you toyed of mashing together? Any failed attempts that you had high hopes for?

ABX: I wanted to do Kelis’s ‘Milkshake’ mixed with something by Neutral Milk Hotel just so I could call it ‘Neutral Milkshake Hotel’. It turns out there aren’t any Neutral Milk Hotel songs that work. It also turns out that it was a horrible idea.

I also had mentioned to you that you were my “Biggest Guilty Pleasure.” I hope you didn’t take offense to that, I meant it as the most sincere compliment possible. Seriously, I’m like that creepy number one fan chick in “Flight of the Conchords.” You guys rock. When you’re not busy listening and stewing up mash-ups between Destiny’s Child and Justice or Lil’ Wayne and Modest Mouse, what bands are you currently digging on for your own listening pleasure? I’d imagine listening to the same loops over and over again would be enough to turn you away from a solid track for a while‹you have to get some joy out of music that you haven’t touched yet, right?

STV SLV: Some stuff I like as of this very moment in time — Mahjongg Kontpab, Stephen Malkmus Real Emotional Trash, Neon Neon Stainless Style, Re-Up Gang We Got It For Cheap Vol. 3, Destroyer Trouble In Dream, Cadence Weapon Afterparty Babies.

Is there any artist or song you just refuse to go near and will never touch? If so, who and what reason?

ABX: There are plenty of horrible artists and songs out there that I don’t think we would touch. This isn’t to say that we are above using horrible songs or artists in our mixes, but there has to be something redeaming about it or something we enjoy in it. There is a Smash Mouth acapella track floating around on the internet, and I hope it’s safe to say that we’ll never use Smash Mouth.

STV SLV: My friend Nick sent me a link to some split tracks from Nirvana In Utero, I’m still currently debating whether or not to mess with them.

I’ve tried to think of different songs that would flow together, thinking “Man, that’d be sweet to get some rhymes over Yeah Yeah Yeahs’ “Rockers to Swallow,” or Robyn’s “Konichiwa Bitches,” but then I realize there’s a reason I plan pharmaceutical events and don’t DJ; I’d probably mess up a good thing–have you ever had any grand ideas blow up? What was the most ridiculous shot for a mash-up?

STV SLV: Does taking Vicodin for recreational purposes constitute a “pharmaceutical event?”

The website boasts a colorful array of Photoshop touch-ups, cartoons and collages for each track. As much as I’d love to believe that the Shout Out Louds were indeed cruising in a top-down Cadillac beside Project Pat, I have to think these mini track-arts are the work of some krunked up brainchild. Who’s responsible? What goes on in your head, do you just google image publicity shots and work your magic?

ABX: We each do our own photoshops for everything we post. There’s very little magic involved, especially for me since I use some outdated version of photoshop that didn’t come with magic. Basically, we scour the internet for photos of the artists we are mashing together and try to make it look like they were hanging out together.

You released your second mix tape last November, how long do we have to wait for the third installment? Any other projects in the works?

STV SLV: Right now in addition to constantly making tracks for the site, we’re working on a mixtape of Chicago rappers/bands. Then sometime after that we’ll put together a new mixtape. Also we’re working on a remix or two for The Rosebuds.

I have to ask, day job? Have one? Or is this it?

ABX: I work during the day as a karate instructor.

STV SLV: He does, it’s true.

Your MySpace page says that you reside in Chicago/New York, and I know you frequently play shows in the Chicago vicinity. Where are you from and how did you two meet and start collaborating together? How do your respective cities influence your musical selections and styles?

ABX: STV and I met while playing in separate bands during our college years when he was in Wisconsin and I was in Michigan. We both moved to Chicago around the same time and started playing together in our band May Or May Not. We shared similar interests in indie stuff and hip hop, and both liked messing around with computer mixing programs, so that came together pretty naturally. I recently moved to New York, so I don’t know that it influences my style. I would say that my mixes tend to be wide, thin, and foldable, while STV’s tracks tend to be thicker, more filling, and contain chunkier ingredients. We sound like pizza.

South by Southwest. I’ll be there. You’ll be there. The official schedule hasn’t yet been released, at least to my knowledge. (Not two hours after I typed up these questions, the schedule was posted, go figure. . .) I know you guys will be spinning between sets for the Hot Freaks day showcase at Club De Ville on Friday, any other sets lined up? Any particular acts you’re stoked to check out that week?

STV SLV: Hot Freaks will be awesome. We’re also playing at the convention center on Thursday afternoon, and then the Schubas party at Yard Dog after that. Our official showcase was supposed to be Saturday, but I think that now it might be Wednesday, check the interwebs for final confirmation. And at some point we’re gonna go stop by the Daytrotter studio (Austin chapter), don’t know if we’ll play a set, but anything can happen in Texas. That’s their state motto.

One last Q—what’s with the R. Kelly obsession? Are you secret “Trapped in the Closet” fans?

ABX: It’s no secret. R. Kelly is a musical genius and he puts all other R&B artists to shame.

STV SLV: It’s a healthy obsession.

Myspace: Hood Internet

uwmryan @ 6:46 am
Filed under: All and News
Milwaukee Concert Annoucement: The Hold Steady

Posted on Tuesday 26 February 2008

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The Pabst Theater continues to bring quality live performances to Milwaukee with the recent addition of The Hold Steady to their calendar on Friday, April 11th.

With news of their new album, Stay Positive finalized, this show is a can’t miss for all of you dying to hear new material from The Hold Steady.

For me, this is probably my most anticipated show of the year, which sadly happens to be on the same night as the Bon Iver show here in Madison.

Tickets: $15 / General Admission

eMembers Pre-Sale:

Become an eMember and buy tickets BEFORE they go on sale:
Starts Fri. 2/29 @ Noon / Ends Tue. 3/4 @ Midnight
PASSWORD: POSITIVE

GENERAL PUBLIC ONSALE BEGINS WED., MARCH 5TH @ NOON

Thanks to Paul at More Cowbell for the tip!

Previously: From The Crowd | The Hold Steady “Chips Ahoy!”
Previously: Review: The Hold Steady - Orpheum Stage Door
Previously: The Hold Steady: “Hot Soft Light” - Live from Madison
Previously: The Hold Steady Almost Killed Me

Myspace: The Hold Steady
MP3: The Hold Steady - Your Little Hoodrat Friend

+Remember to bookmark our shows page for all your Wisconsin concert announcements+

uwmryan @ 1:03 pm
Filed under: Concerts and News
Broken Social Scene Cancel Madison Show

Posted on Tuesday 26 February 2008

I hate to be the bearer of bad news, but go ahead and file this under Worst News of the Year! Broken Social Scene has canceled their previously announced performance at Union Theater on Saturday, April 19.

The group has canceled their stretch of college dates from April 19-22 due to reasons not yet confirmed. There has been no information provided as to their intention on rescheduling the show for a later date, but we certainly hope that they do.

See You Next Time

Myspace: Broken Social Scene

uwmryan @ 12:13 pm
Filed under: News
Digital Music Sales :: Amie Street

Posted on Tuesday 26 February 2008

Last night I paged through the latest issue of Wired Magazine immersing myself specifically in the article: Free! Why $0.00 Is the Future of Business. That business model obviously worked for bands of Radiohead’s stature in the music industry and has been a long-held business model in the electronics/gadgets market as well, “Give away the cell phone, sell the monthly plan; make the videogame console cheap and sell expensive games; install fancy coffeemakers in offices at no charge so you can sell managers expensive coffee sachets.”

So imagine my surprise when I received a coincidental e-mail this morning from Josh at Amie Street informing me that the website is “releasing the entire catalogs of Beggars Group (XL, Rough Trade, 4AD), Matador Records and Polyvinyl Recording Co. — more than 15,000 songs.” That’s really nothing out of the ordinary, it was the second sentence in his message that caught my interest, “All songs are initially free to download and rise in price based on popularity, up to $0.98. All songs are DRM-free mp3s.”

After perusing Amie Street for some time, I was shaking my head at the, at least in my opinion, genius idea of trying to break through and survive in the already lucrative digital download arena, but strategically different in that, at these prices, they could also compete with file-sharing sites as well. Example? At time of writing, I can currently purchase Thom Yorke’s Eraser for $1.77, or approximately $0.20 per track. On top of that his fantastic series of The Eraser Remixes (all three volumes) are available on Amie Street for less than $1 each. Granted as the popularity of the site rises, so will the prices, but never to the point that they’re above iTunes (at least for now). Thus, it’s easy to understand why Amazon.com would have led “Series A round of financing in August 2007,” who already made their splash into digital downloads by offering them at the price of $.89 per track only a few months ago.

Combining Amie Street to my preferred digital retailer, eMusic, I continue to hold out hope that like-minded record label executives hear the call and follow these acts into the market if they want to see music sales, in any fashion, continue to survive, and perhaps, thrive in a different and newly defined market.

Related: David Byrne - “Addendum to recent Wired Article (Part II)”

uwmryan @ 8:28 am
Filed under: All and Misc and News
Tuesday’s Gold: What We Recommend #46

Posted on Tuesday 26 February 2008

Each Tuesday stop by Muzzle of Bees for our recommended purchases for the week. Here is the album we suggest for the release date of February 26th:

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Artist: Beach House
Album: Devotion
Label: Carpark Records
Myspace: Beach House
MP3: Beach House - “Gila”
Video: Beach House - “You Came To Me”
MoB: Their self-titled debut was delicate and beautiful enough to land on our favorite album list from two years ago. That being said, we had high expectations for this record that were happily met on this record. Though the finalized album preceded their tour with Grizzly Bear, there’s definitely some aural similarities, which is fine by me however they came about.

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Artist: Ghostland Observatory
Album: Robotique Majestique
Label: Trashy Moped
Myspace: Ghostland Observatory
MP3: Ghostland Observatory - “Heavy Heart”
MP3: Ghostland Observatory - “Dancin’ On My Grave” (Remix)
Video: Ghostland Observatory - “Sad Sad City”
MoB: I’ve seen these guys only at music festivals which, I believe, they are perfect for. They’ve got good beats, which lends itself to bodies in motion, plus you’ve got a good number of people asking themselves wtf they’re witnessing. It’s fun to watch and fun to be a part of. Initial listen of this album didn’t do much for me, in fact, it almost turned me completely off, driving downtown on the belt line in Madison on Saturday night though it sounded just fine.

Find more MP3’s at The Hype Machine or buy stuff from Strictly Discs | eMusic

uwmryan @ 7:04 am
Filed under: Albums and MP3s and Tuesday's Gold