
Welcome to the latest installation of the 5 Questions with MoB feature–this time around I caught up with the cool cats of Gentleman Auction House, and instead of the standard 5 Q&A routine, we scored big with 5 Q’s and 35 A’s! Well, I guess that’s how this collaborative septet of indie pop rockers roll, with everyone contributing to the bigger picture . . .
Could you lend some information on the recording process of The Book of Matches EP? Where and how was it recorded, and were there any lessons learned towards future recording sessions?
STEPHEN: Think about how much time it’ll take 7 people to record 12 songs.
RYAN: As for the recording process, I’ll try to avoid adding to the deluge of information you’re sure to get. I’ll say that we recorded at Inner Ear Studios in Washington D.C. and it was mixed and mastered at Silver Sonya Studios, also in Washington, D.C. We worked with the lovely Devin Ocampo, and Chad Clark, who did a stellar job. They deserve recognition for their excellent work.
STEVE: The first three songs on the EP are from the session we did at Silver Sonya Studios in D.C., the first two of which will be on Alphabet Graveyard. We weren’t even planning on putting an EP out until the AG release was pushed back and we felt like we needed something new to sell on tour. We spent a weekend scrambling to finish “Sunken Land”, which was a bare-bones demo that Eric had started, and “Parting Shot”, which we had started during the TRWHD sessions back in ’06. In the end we were really happy with how the disc turned out as a whole, being as it was such a last-minute idea. I also don’t really feel like there’s a significantly discernible disconnect in the production value between the Silver Sonya tracks and the ones we did ourselves, which is encouraging not only in the sense that the flow of the record isn’t interrupted, but that it also serves as an inspiration for us to view self-recording as a viable option again for future projects.
KILEY: I think with 7 of us in the band, its important for each of us to know what we are all playing in any song before we go in the studio and find out something doesn’t work.
ERIC E: Every recording project teaches you something, either through your successes or failures. I will forever amplify keyboards from here on out, despite how much quicker and “cleaner” it might be to plug right in. No more of that business. Also, pad thai is essential.
MIKE: I think that we all learned a lot through the recording process for TBOM/AG. As a whole it was an expensive yet essential way for us to find out what we could accomplish as a band if you removed all of the “microscopes” that a band uses when recording itself. We learned a lot about our roles in not only each individual song but also in the band as a whole, and at least to me, that education was invaluable.
ERIC H: This does not answer the question, but NPR did a report on this “avant-garde” clothier earlier today, and it would have been great to have been wearing this line in D.C. You can now look trendy AND be safe at the same time.
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