Posted on Monday 18 April 2011
Words: Aliza Feder | Photos: Ed Oliver
The University of Wisconsin-Madison opened the latest incarnation of its Union South with the fittingly ever-evolving (but not actually Canadian) artsy/soulful/poppish indie rock group, of Montreal.
The brand-spanking-new Varsity Hall’s acoustics proved fitting for Of Montreal’s intricate musical arrangements. The performance opened with “Slave Translator,” a tasty preview of the soon to drop EP, “The Controller Sphere.” The show then bounded through some favorites from the band’s latest album, False Priest, and saved some perennial favorites such as “St. Exquisite’s Confessions” and “Labyrinthian Pomp” to keep everyone spastic and rapturous, ending with the obligatory and much beloved “For Our Elegant Caste.” The people of Madison were also treated to a lovely interlude of drummer Jamey Huggins singing an old jazz tune.
The performance flaunted a delightful mix of grotesque and cerebral performance art with unabashed fun. Human/rooster creatures in spandex bodysuits boldly presented themselves for audience groping. Most memorably, David Barnes, brother of the band’s front man and major part of of Montreal’s aesthetic concept, embodied the pent rage of “She’s a Rejector” by thrashing his way out of a straight jacket with blood spewing from his mouth.
In essence, an appalling good show transpired.
Buy: Of Montreal – False Priest
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MP3: Of Montreal – “Coquette Coquette”


















