Wednesday News

Posted on Wednesday 9 November 2011

Megafaun have a great set with World Cafe. Not to be missed.

Listen to a new Tennis song at Gorlla Vs. Bear.

Conrad Plymouth will be working on a new album next month!

We’re big fans of Twin Peaks. In fact, we just re-watched the series over the past few months. Aquarium Drunkard points to some great audio from the show.

School of Seven Bells Remix Surfer Blood. Listen to the track here.

NPR: How Spotify Works: Pay The Majors, Use P2P Technology.

Watch Dawes + Mumford & Sons perform “When My Time Comes” at World Cafe‘s 20th Anniversary at WXPN. Dawes also covers Leon Russell.

Pitchfork reviews U2′s reissue of Achtung Baby. If I could only afford the vinyl box set.

uwmryan @ 9:08 pm
Filed under: Albums andConcerts andMP3s andNews
Dawes release show at Vintage Vinyl in STL

Posted on Wednesday 8 June 2011

We had the pleasure of seeing Dawes play a quiet acoustic set in celebration of their fantastic new record Nothing is Wrong a few nights ago at Vintage Vinyl in St. Louis. We couldn’t be more proud of Taylor, Wylie, Tay, and Griffin and wish them luck in their coming tour and burgeoning success. Enjoy this performance (shot that night) of one of the album stand outs, the beautiful “So Well.”

Buy: Dawes – Nothing is Wrong

jwstone @ 10:20 am
Filed under: Albums andConcerts andVideo
Thursday News

Posted on Thursday 2 June 2011

Stream The Rosebuds album, Loud Planes Fly Low right now at Spin! | Pre-order the album from Merge Records.

The Wall-Street Journal profiles My Morning Jacket.

Taylor Goldsmith of Dawes shares his songwriting process.

We highly recommend the Caveman and Porcelain Raft Daytrotter sessions.

Live Download: Gil Scott-Heron :: Live @ The Bottom Line 1977

uwmryan @ 10:30 am
Filed under: Albums andConcerts andNews
Review: Middle Brother – The Metro (Chicago)

Posted on Tuesday 15 March 2011

by Jon Stone@jwstonephoto: Kyle Matteson | @solace

It’s hard to think of the Middle Brother show in Chicago last Saturday night as just a “show.” It was more than a show. It was a spectacle, a barn-burner — an extravaganza. This is not hyperbole, folks. The Metro hosted an honest-to-goodness, four-hour Concert Spectacular. The three bands, Deer Tick, Dawes, and Middle Brother, also seem like mere place-holders on a bill that instead featured an explosion of musical collaboration far exceeding the boundaries of what we imagine the word “band” to entail. Rarely was a band on stage without an extra member here or a special cover there. The show was, in a word, epic. Oh, and two more words: Jonny Corndawg.

Rather than diminishing the evening with lack-luster play-by-play, let me instead offer a more-or-less chronological highlights reel:

  • Forget the “folk-rock” label, Deer Tick is a heavy, if extremely versatile, band. Their set was LOUD… and then soft. Apply this same genre-busting observation to all three bands and their sets. Each move from folk to soul to country and back to rock, and in the case of Deer Tick, far into heavy territory.
  • After hearing about Deer Tick’s upcoming SXSW Nirvana set, it was hard not to see McCauley as a kind of  re-embodiment of Kurt. His hair – his voice – his Fender Jag. If you’re in Austin on Saturday, don’t miss that. Report back, please.
  • Along those lines, Matt Vasquez joined Deer Tick mid-set and played a perfect cover of In Utero’s “Scentless Apprentice.”
  • They also covered Springsteen’s “Racing in the Streets,” Vasquez at the helm.
  • Deer Tick has a secret weapon in keyboard/sax man Rob Crowell. The dude can wail.
  • Dawes is clearly the next big thing. This is a palpable reality now instead of just a likely prediction. They killed with songs off both North Hills and new songs off of a yet-unnamed forthcoming record.
  • Near the end of their set, Dawes introduced Jonny Corndawg who proceeded to dance (or, more aptly, boot-scoot) his way into the pockets of the whole crowd. You kind of have to see this guy to believe him. As my buddy said, “Corndawg brought the heart and Goldsmith brought the heartbreak” – a perfect foil, it turned out.
  • If Corndawg brought heart, and Goldsmith brought heartbreak, McCauley brought the booze.
  • Dawes closed with “When My Time Comes” with Vasquez, McCauley and Corndawg helping out each taking verses. We could have all gone home happy after a set closer like that – the entire room was singing along at the top of their lungs – but alas, at nearly midnight, we still had yet to experience Middle Brother as Middle Brother.
  • By the time the headliners officially hit the stage, the night had already been ridiculous – but things then shifted into a full-on hootenanny mode. Instruments were passed around, band members came and went, “Me, Me, Me” and “Middle Brother” became anthems to the chaos and friendship of the moment.
  • Middle Brother, if I’m not mistaken, played every song on their record.
  • After heavy doses of McCauley and Goldsmith, Vasquez’s songs were visceral.  The smooth-on-the-record waltz “Theater” became this huge, haunted thing on stage. Matt screamed and then screamed some more and oh how we swooned. Same thing on “Someday.”
  • Goldsmith continued to bring it with “Thanks for Nothing” and the solo “Wilderness” but my favorite song on the record “Blood and Guts” became something entirely different.  The song started softly and built in crescendo until the bridge came and left me emotionally devastated: “I just wanna get my fist through some glass! I just wanna get your arm in a cast!” Man. I’m still reeling more than 48 hours later.
  • Soon after, the heavy mood was displaced when someone dropped a fart bomb. Jonny Corndawg happily claimed it.
  • The show closed at nearly 1am with a cover of Sam Cooke’s “Bring it on Home to Me.” I know this song has been played frequently during Deer Tick’s set, but bringing it to Middle Brother gave everyone in all three bands one more excuse to come on stage and sing a verse/play a solo. It couldn’t have been a better song to go out on. Yeah? Yeah.

A night like Saturday seems a rare privilege. Seeing musicians in this context clearly reveling in the opportunity to let loose a bit and share a musical moment with friends was something not soon to be forgotten. Goldsmith, Vasquez and McCauley are on the verge of something big and I think the Middle Brother album and tour will be remembered by them in the same way it will be by us: A galvanizing moment among friends before the floodgates of life and fame sweep everyone in disparate directions toward the blessings and curses of success.

Discuss: Were you at the Chicago or Madison show? Any additional thoughts?

jwstone @ 1:35 pm
Filed under: Albums andConcerts andNews
This Weekend: Middle Brother in Chicago & Madison

Posted on Thursday 10 March 2011

Middle Brother — the much-lauded collaboration between Deer Tick, Dawes, and Delta Spirit front-men McCauly, Goldsmith, and Vasquez — swing through Chicago and Madison this weekend. Dawes and Deer Tick share opening duties and judging from the near constant buzz and the quality of their self-titled debut, both shows promise to be something special.  The band stops in Chicago at The Metro on Saturday night and at the Majestic Theatre in Madison on Sunday. Pick up tickets to either show on the band’s website. Muzzle of Bees will have a review of the Metro show up early next week!

If you’re headed to Austin next week for SXSW, all three bands are making appearances in various showcases including one where Deer Tick will become “Deervana” and play a set of Nirvana covers late on Saturday the 19th. Awesome.

Back in December, the band played for the Invisible Children holiday benefit concert. Check out the video below captured as part of that visit and consider your appetite whetted for the weekend (via Brandon Tauszik and yourstru.ly).

Me, Me, Me:

jwstone @ 3:23 pm
Filed under: Albums andConcerts andNews
Friday at Bonnaroo

Posted on Saturday 12 June 2010

By Jon Stone | @jwstone

Day two here in Manchester was absolutely fantastic. I think on Friday, everyone starts finding a groove, figures out how to navigate the farm, makes a couple of friends, and – if the typical Bonnarooian is anything like me, hears some favorites on stage. Today three of my favorite bands – played. Almost back to back. I have a feeling I’ll be talking about much of what happened today for a long time—meeting both Bob Boilen (of NPR Music’s All Songs Considered) and Matt Berninger (of the National), for example. Incredible. What a day.

One thing I stressed a lot about before getting here was coping with missing bands because of conflicts. While this is an inevitability, Bonnarro is set up much better than other festivals I’ve been to (Lollapollooza, Newport Folk) to bounce between stages. It’s a little like a live mixtape, or deli tray or whatever– you can hear a few She & Him songs, for example, and be on your way to hear the National. No big loss. And it’s only a five minute walk from one place to the next. Catching one or two songs of a band is sometimes a perfect introduction.

Here’s a quick rundown, of who I heard and what I thought on Friday:

11:30 – Dr. Dog: acoustic set in the press tent. I kind of stumbled into this, as Dr. Dog played for the press assembled for an orientation. They played three or four songs on acoustic guitar, banjo, and steel resonator. Suitcases were banged on with floor pedals and, I think, they made fans of everyone there as soon as they opened their mouths to sing the first three-part harmony chorus. It was my first time seeing them, and that was surely the case for me.

12:00 – Trombone Shorty: As I mention above, sometimes Bonnaroo is best approached as a sampler – I caught the opening song as I walked from the press area to what would be the bluegrass tent for much of the day. Funky! Great horns (that’s the whole point, right?), really groovy wah-wah guitar, and I was dancing as I made my way past.

12:15 – Punch Brothers: Chris Thile’s band is my favorite bluegrass act playing right now, and probably in my top five favorite bands period. Thile has great stage presence –quipping easy one-liners between songs and what a crowd! I loved that there was so many fans there – we nearly filled the tent. They played songs off of all three records and drew heavily from their new record Antifogmatic (which comes out Tuesday and is great, by the way). The best thing about Punch Brothers is that they make technical and masterful playing look spontaneous. The set also included several covers, including “Reptilia” from the Strokes and Radiohead’s “Morning Bell.”

1:20 – Jill Andrews: I missed Jill Andrews when she came through Champaign and immediately regretted it. She played a small stage under a tent, café style with tables and chairs and presented the perfect moment to sit, chill out a bit and eat my peanut butter and jelly sandwich. Jill offers a lovely combination of country infused folk, and I can’t wait until her first record. I couldn’t wait so much that I picked up her EP on my way out the tent.

3:00 – Punch Brothers pt. II: Sorry—I can’t get enough of these guys and jumped at a chance to see them  playing again at the smaller “Sonic” stage. It ended up being an ironic name because the set was marred with audio difficulties, forcing the band to gather old-time like around a single microphone in the middle. They didn’t play any repeats, and I was lucky enough to hear them play their version of Radiohead’s “Packt Like Sardines in a Crushd Tin Box” – and while the sound problems kept it from sounding as good as it could have, I am still amazed at the way they imitate all those Thom Yorke percussive taps and pops with various parts of their acoustic instruments. Brilliant.

4:00 – Hot Rize from the Chase Lounge: My brother has access to this little non-descript tent they’re calling the Chase Freedom Lounge. It’s for Chase card-holders only and they pipe in video feed from two stages, have lemonade, computers, clean bathrooms – it’s a freaking oasis. We sat and watched Sugar Hill’s incredible veterans of bluegrass joke and jibe their way through a country/bluegrass set . . . in the air conditioning. It almost felt like a sin. Almost.

4:30 – Dr. Dog, regular set: I was so impressed by the earlier set from Dr. Dog that I was anxious to see them again. Their main-stage set ended up being completely different than the morning stuff and showed the versatility of this really great band. I really enjoyed the dirty rock sound countered with sweet Hammond organ and great vocal sound, from both lead singers. I came to Bonnaroo having listened casually to Dr. Dog and will leave excited to see them again and explore their records more intently. This is what festivals should do.

5:00 – She and Him: I really just wanted to catch a glimpse of Zooey and Matt before moving across the farm to get a good spot for the National. They had the biggest crowd assembled that I had yet seen, and I think that this is due to both Zooey’s star power/name recognition, but also to the relative universal appeal of her sunshiny pop. When she (and him) came out she danced through their first song and I was glad that brings a decent presence to her stage, rather than just standing and singing. (It would be great if M. Ward shows up somewhere else today or tomorrow playing, but I doubt it’s gonna happen)

5:45 – The National: Wow, what a set. The crowd wondered out loud if Matt would take the stage as per usual in a suit. When he came out wearing a dress vest, we grinned. It came off after the second song. We grinned again. The National is tough to sum up in a little log blurb like this, so here are a few highlights:

  • Matt found his way into the crowd on three separate occasions.
  • He tossed his wine glass to the audience early in the set, only to ask for it back, fill it again and then supervise its return to the person who caught it.
  • They played a long set, covering songs from their entire catalog with a healthy chunk coming off of High Violet.

It was a great show. Love that band.

7:30 – Steve Martin and the Steep Canyon Rangers: I tweeted about how crazy it was to go from the National to Steve Martin. Only at Bonnaroo could such emotional sonic opposites be encountered within minutes of each other. It was fun to see Steve Martin, to play along with his shtick, and enjoy his amazing back-up band. Martin can really play that banjo (it’s not just a gimmick! The Grammy was [probably] justified!]. At one point he talked about how he’s shooting a moive with Jack Black right now and then Jack Black himself, fresh off his Tenacious D set, stuck his head out from back-stage. The crowd went nuts.

8:30 – Dawes: And the awesome music just kept coming. Dawes blew me away once again. Instead of playing to a crowd of Edward Sharpe fans like they were last week when I saw them, this time they were playing to a small but intensely devoted group of their fans. It made such a difference. Everybody was singing along, dancing, and having an amazing time. They closed the set with a really sweet song with the repeated refrain, “I’ve got a feeling it’s gonna be alright” and brought out members of the Magnetic Zeros for support. Notably, Jade and Taylor sang the chorus arm in arm. It was awesome. Dawes is very quickly becoming my favorite band of the moment and I make no apologies for going to see them again today in about an hour on that same small Sonic stage I mentioned before.

After Dawes I made my way back to the camping area to get some dinner, get cleaned up, and sit down for a while. Kings of Leon played a set to what was surely most of Bonnaroo and I was, frankly, happy to miss it.

We went back at midnight to see the Black Keys, and watched about half of their set. It was alright. I love that huge guitar sound, but – and this comes after spending several weeks listening to the records almost exclusively – the set got a bit repetitive and after being wowed by Dawes and the National, it was tough to stick around. We wandered a bit more, saw the massive (and I mean massive) crowd assembled to watch the Flaming Lips spectacle and made our way back to crash. What a day.

Today is going to great too. Hoping to catch Mumford & Sons, a bit of the Avett Brothers, Dave Rawlings Machine(!), and of course the mighty Stevie Wonder. Here we go!

jwstone @ 1:00 pm
Filed under: Concerts andFestivals