Golden Coins

Posted on Tuesday 14 June 2011

Golden Coins are offering a free download of their new Animal Variables EP. Highly recommended. We love track #2, “Dimecakes.”

Elsewhere:

Stereogum premieres a new Future Islands track. Did anyone make their show last night in Milwaukee? How was it?

Pitchfork, Vanity Fair and Guardian all feature Bon Iver.

I’ve listened to this a lot: Quietus Mix 32: Toro Y Moi Serves Up Creamed Coffee

Gillian Welch’s new album, The Harrow & The Harvest is available for pre-order.

Consequence of Sound has video of Black Joe Lewis & The Honeybears on David Letterman. I’m hoping to be able to catch their ACL Live taping next week.

Pitchfork premieres Eleanor Friedberger’s video for “My Mistakes.” Look for her solo album, Last Summer to arrive later this year on Merge Records.

Fuel/Friends has posted their chapel session with Strand of Oaks. It includes a cover of Beck’s “Golden Age.”

Photos: Famous people hanging out with their vinyl

Some Velvet Blog shares two new songs from Gardens & Villa.

Have you picked up The Rosebuds new album, Loud Planes Fly Low? I’m super proud to have been a part of making this record happen. Check it out!

uwmryan @ 9:03 am
Filed under: Albums andConcerts andMP3s andNews
Download: Girl Talk – “All Day”

Posted on Monday 15 November 2010

Girl Talk released his new album, All Day as a free download today.

Elsewhere:

AV Club Milwaukee announces that the Decemberists are coming to Milwaukee on Saturday, February 5th. Mountain Man supports. We’re admittedly excited for the groups forthcoming record, The King Is Dead, which features Gillian Welch on seven tracks! The Decemberists will also be in Chicago on Friday, February 4th at the Riviera Theatre.

Sharon Van Etten performs a Tiny Desk Concert at NPR.

Captains Dead shares a Ryan Adams live show from the Nashville circa 1999. Speaking of Ryan Adams, keep your browsers pointed to the Paxam site to pre-order the upcoming III/IV release.

Arcade Fire were on Saturday Night Live. Gorilla vs. Bear has the videos.

OnMilwaukee.com interviews Testa Rosa in support of their new record.

Aquarium Drunkard shares an mp3 of Horse Feathers covering Nirvana’s “Drain You.”

All Tiny Creatues film a video session with AV Club Madison.

uwmryan @ 9:32 am
Filed under: Albums andNews
Sad Songs & Waltzes :: Will Phalen

Posted on Wednesday 19 May 2010

(Sad Songs & Waltzes is a recurring feature on Muzzle of Bees, where artists share their favorite sad songs. Previous contributors include Damien Jurado and Kasey Anderson.)

By Will Phalen

April the 14th pt 1 / Ruination Day pt 2
Gillian Welch – Time (The Revelator)

I clearly remember the first time I heard Time (The Revelator). In fact it was the first time I really listened to Gillian Welch. Though I had heard her voice on the Oh Brother, Where Art Thou? Soundtrack, I hadn’t yet recognized her genius. I put the record on in the background while I was working on some things on a day in late Spring. I was still living in Madison at the time, and my first “serious” band had just split up. I was feeling pretty down in general. This record turned out to be the perfect accompaniment to my somber mood.

I got about three-quarters through the album when it suddenly struck me that I was hearing something special. I dropped what I was doing, started the record over and sat down and listened to the whole thing mesmerized. I’ve probably listened to the record 500 times since that day.

It really is one of the saddest albums I know, so I could have picked just about any cut to write about for this essay. But the two-part time travel ballad, April the 14th/Ruination Day is particularly sad and poignant on so many levels: it brings me down every time I hear it.

Essentially, the song strikes at the album’s two central themes: time (as the title track would suggest) and the state of American popular music (addressed in songs such as Everything is Free Now, Elvis Presley Blues and I Want to Sing That Rock and Roll).

Somehow Welch and Rawlings discovered that April 14th is the anniversary of three fateful events in American history: Abraham Lincoln’s assassination in 1865; the wreck of the Titanic in 1912; and Black Sunday, a deadly dust storm that struck during the Dust Bowl migration of 1935. They weave these three tragic tales into a time travel story which, oddly enough, begins at a local rock concert. After briefly glimpsing the moment when the Titanic collided with the infamous iceberg, we’re suddenly transported to a present day rock club. And it’s this strand of the story that actually turns out to be the most depressing and visceral.

It was a five-band bill,
A two-dollar show.
I saw the van out in front
From Idaho,

And the girl passed out
In the backseat trash.
There was no way they’d make
Even a half a tank of gas.

They looked sick and stoned
And strangely dressed.
No one showed
From the local press.

But I watched them walk
Through the bottom land,
And I wished that I played
In a rock & roll band.

Hey, hey,
It was the fourteenth day of April.

Well they closed it down,
With the sails in rags.
And they swept up the fags
And the local rags.

Threw the plastic cups
Into plastic bags,
And the cooks cleaned the kitchen
With the staggers and the jags.

Ruination day,
And the sky was red.
I went back to work,
And back to bed.

And the iceberg broke,
And the Okies fled,
And the Great Emancipator
Took a bullet in the back of the head…

While the story and subject matter are sad and real enough (especially for someone in my line of work), it’s really the loping tempo and the bittersweet delivery of Welch’s vocal (aided by Dave Rawlings’ sublime harmonies) that breaks your heart.

Part II, Ruination Day, grants more focus to the historical significance of April 14th, and it sounds like it. The music has a stark, old-timey feel with a thumping repetitive bass note hammered out on the guitar. Without even changing verses Welch travels from the decks of the sinking Titanic to the box at the Ford Theatre and then sweeps back out to the dusty fields of Oklahoma. The old engineer, Casey Jones, even makes an appearance. And it hits you: this really is one of the saddest days of American history — made all the more mournful by Welch’s ominous chord structures and her sad voice. Somehow, I feel and understand the tragedy of these events more through listening to these two songs than I’ve ever felt reading a book about Lincoln or seeing a movie about the Titanic.

Not long after I first heard Time (The Revelator) I got myself back together and put out a record of my own made with the help of my friends. Today I play in a rock & roll band. And as sad as it is to hear Gillian sing that story about the band from Idaho (and to realize how real that story is for so many touring musicians), I know that there’s nothing else I’d rather do.

But I watched them walk
Through the bottom land,
And I wished that I played
In a rock & roll band.

Sometimes it just feels really good to feel really low. Gillian Welch and David Rawlings will take you there if you want to go.

Buy: Gillian Welch – Time (The Revelator) | Will Phalen and the Stereo Addicts – Middle West
++
MP3: Gillian Welch – “April the 14th pt 1″
MP3: Gillian Welch – “Ruination Day pt 2″
MP3: Will Phalen and the Stereo Addicts – “I Can Run”
MP3: Will Phalen and the Stereo Addicts – “Like Rain”
MP3: Will Phalen and the Stereo Addicts – “This Time”

uwmryan @ 10:58 am
Filed under: Albums andMP3s andNews andSad Songs & Waltzes
Muzzle of Bees + 91.7 WMSE Podcast :: Volume 31

Posted on Friday 18 December 2009

RecordPlayer

Welcome to the 31st podcast/download I’m co-hosting with Ryan Schleicher at 91.7 WMSE. We’re back for another session of some of the best music from the past and present. Check it out and let us know what you think.

Muzzle of Bees + 91.7 WMSE Podcast :: Volume 31

Gillian Welch – “I Wanna Sing That Rock and Roll” / Gillian Welch – “Look at Miss Ohio” / Ryan Adams – “La Cienega Just Smiled” / The Felice Brothers – “Cooperstown” / Lullaby For The Working Class – “Ghosts” / Bonnie ‘Prince’ Billy – “I See A Darkness” / Strand of Oaks – “Two Kids” / Matt Bauer – “Old Clothes” / Heartless Bastards – “Out At Sea” / The New Year – “Newness Ends” / Dawes – “When My Time Comes” / Monsters of Folk – “His Masters Voice” / Megafaun – “Gather, Form & Fly”

Stream:



Download: Muzzle of Bees + 91.7 WMSE Podcast :: Volume 31
++
Subscribe: Muzzle of Bees + 91.7 WMSE Podcast

[photo by Haley Jane Samuelson]

uwmryan @ 11:29 am
Filed under: Albums andMP3s andNews andPodcast
Decade: Gillian Welch | Soul Journey (2003)

Posted on Tuesday 15 December 2009

GillianWelch

For the remainder of 2009 we will be featuring albums that meant a lot to us this decade. I have really enjoyed spending quality time with my record collection and not just what is new and current. One thing this collection will not be is all-encompassing. We will be deliberately leaving out some of the universal favorites (Kid A, Yankee Hotel Foxtrot, Funeral, etc) because you’ll see them everywhere, and the last thing we want to do is state the obvious.

Instead, this collection will very much an outlet for us to share/discuss our favorites over the past 10 years with a focus on albums that we feel have been overlooked in the lists we’ve seen roll out this far.

______________________________________________________

Gillian Welch | Soul Journey (2003)

The first half of this decade found me growing roots as a fan of alt-country and Americana. It was the golden age of discovery with artists like Wilco, Ryan Adams, Steve Earle, and Drive-By Truckers leading the way with a steady output of brilliance. I followed and investigated each of them, tracing their influences and, in turn, uncovering the artists they influenced, developing my musical family tree along the way out of a handful of favorite artists. The one artist I came to enjoy before any of those was Gillian Welch, who I came to know thanks to the wonderful staff at B-Side Records in Madison.

You simply can’t go wrong with the catalog that Gillian Welch has assembled, though many (myself included) continue to wish/hope for a new release sooner than later, we are fortunate to have albums like Time (The Revelator) and, my favorite (her forth), Soul Journey to satiate us for another decade – they’re simply that great.

Gillian Welch hasn’t completely disappeared. You can catch her on tour with her long-time collaborator David Rawlings, who on a nightly basis hands the reigns over to Welch who gently to ushers jaws to the ground with songs like “Look at Miss Ohio” and “Wreaking Ball.” In our opinion, no legitimate collection of the decade’s best musical recordings is complete without giving accolades to Gillian Welch.

Best Live Show I Saw: Austin City Limits (2008) | Dave Rawlings Machine (2009)
Best Tracks:Look at Miss Ohio” & “Wreaking Ball
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Buy: Soul Journey

++ Keep up with our Best Albums of the Decade by bookmarking this page ++

uwmryan @ 5:30 pm
Filed under: Albums andDecade andNews
Review: Dave Rawlings Machine – High Noon Saloon

Posted on Tuesday 8 December 2009

Over the weekend I began working on my year end lists, and, like always, was prepared to roll out my favorite concerts of the year this week. I held off on publishing that list because I had a ticket to see the Dave Rawlings Machine last night at the High Noon Saloon. The show was unquestionably great, probably one of the best sounding shows I have ever heard at this venue. No lie, for most of the night I actually felt like I was at a Midnight Ramble, only this wasn’t a ramble, rather a machine well-oiled by Dave Rawlings.

The night started out like a borrowed page from the Grateful Dead’s Reckoning, opening with “Monkey And The Engineer” and segueing the second song into “Candyman.” It was an unexpected turn so early in the show, and the first indicator that the crowd was in for a special night. It also proved the evening would be just as much about others material and highlighting the incredible assembly of talent on stage including the stunning Gillian Welch. It wasn’t long into “I Hear Them All” before Rawlings found a path to “This Land Is Your Land” and had the entire audience quietly singing along. They of course played “Ruby” the standout track of the recently released A Friend of a Friend and followed that up with a beautiful take on the Dlyan’s “Diamond Joe” performed as a duet by Rawlings and Welch.

Most of the night alternated between a full band of five members (including 3 members of Old Crow Medicine Show) and Dave and Gillian as a duo. After a rousing versions of “Sweet Tooth” and “Spottie Ottie,” Rawlings handed the reins over to Gillian Welch who took lead vocals for the first time on “No One Knows My Name” and “Wreaking Ball” to widespread applause.

The evening continued with “Method Acting” that ran straight into Neil Youn’g “Cortez The Killer,” which, great as it is on the new album, soars to even greater heights in concert. At this point they could have called it a night and sent everyone home satisfied. They were just getting started. The second Dylan cover of the night, “Queen Jane Approximately,” was a big surprise that was quickly overshadowed a couple songs later by Gillian Welch’s “Look At Miss Ohio.”

For the encore the band kept their promise to a fan up front and delivered an amazing take on The Band’s “The Weight” (see above video). After a brief departure from stage, the band returned, led by Welch on a foot-stomping, a capella version of “Go To Sleep You Little Baby” made famous in the film “O Brother, Where Art Thou?” Stunned doesn’t come close to describing how I felt as it finally came to an end. I walked in with great expectations last night and those were far exceeded.

Last night felt like a living room show. It was easily one of the best shows I’ve seen all year, might even crack my all-time list. It was that good. Don’t pass up a chance to see these guys while they’re still out there playing tiny clubs. Time to make room for one more at the top of the list of best shows of 2009.

Buy: Dave Rawlings Machine – A Friend of a Friend
Myspace: Dave Rawlings Machine

uwmryan @ 9:03 am
Filed under: Albums andConcerts andNews andVideo