Roman Candle :: 5 Albums

Posted on Monday 26 October 2009

rc

I’ve dropped the ball on sharing the greatness of Roman Candle with you earlier. Their 2009 release Oh Tall Tree in the Ear has to be in consideration for most underrated album of the year. The Chapel Hill group carries the North Carolina torch from Whiskeytown to the present day with their own blend of folk and Americana.

Below, we’re happy to present 5 records Roman Candle enjoys via Skip Matheny:

John Hartford – Aereo-Plain
A couple years ago I found two mp3′s from this record — “Presbyterian guitar” and “Back in the Goodle Days”, and became obsessed with trying to get a copy of the whole (out of print) record. For several months I couldn’t find it anywhere legal or illegal, until Timshel and I had our kids at the Nashville public library and they had one CD copy in their system. This record has ever since owned an active portion of my brain. John Hartford was a such a clever, instinctual, deceptively-simple songwriter that I think it may be another 30-40 years before people chit chat about how good he was. Having scored a ton of cash from writing “Gentle on My Mind,” he was pretty much free to make whatever music he wanted to make. Unfortunately most people didn’t know what to do with this particular record, then or now (it’s still out of print). Every time I hear this recording of “Steam Powered Aeroplane,” I wish it was played at funerals and weddings.

Fat Boys – Self/Titled
This was the first cassette tape Logan and I ever bought, in a Roses’s in Wilkesboro, NC. I was 7 and Logan was 5, and my mom was kind enough to let us listen to this non-stop for a year in our Datsun hatchback (until we bought another tape). This record used to boggle our minds, with these epic 8 minute raps, introducing us to some of the biggies in life – hip-hop, beatboxing, being in jail with no bail and wishing you had a pizza. To this day it’s probably still in our top 10 records we’ve heard the most (if you consider number of listens straight through). I think it really informed/influenced how we consider rhythms and vocal delivery – I hope so at least.

Wild Beasts – Two Dancers
Of newer music, this record (apart from Keegan DeWitt + Megafaun), is what we’ve probably listened to the most this year. First heard it on BBC radio 6 months ago, and we were fortunate enough to share a bill with them in New York in Sept. Seeing them do the songs live, really made the whole album get under our brains and sprout like a bunch of mushrooms in the woods.

Oasis – Definitely Maybe
When we were younger, this record and its accompanying b-sides had a profound influence on our band. I had almost forgotten how much so until we watched the 10 year anniversary DVD when it came out. Being in high school in Wilkes county, NC, and hearing “Slide Away” “Cigarettes and Alcohol” “Listen Up,” etc., made us begin to think about *songwriting* as a thing that was much more interesting in the setting of a band (as opposed to somebody lighting an infinity candle and writing about their feelings on an acoustic guitar).

Joni Mitchell – Clouds
Timshel bought this record on vinyl when we were in college at UNC, and it was our first experience of Joni outside of people playing the Blue record in their dorm rooms (which is also a record that gets better every year, no matter how many times I’ve heard it). There’s a couple of solid hippie tunes, but for the most part these songs are out of this world. Lyrically, the level at which she is writing here is often as unmatched as her later records, and she was barely 26.

Hearing some of these songs reminded me of the first time I saw an Alfred Hitchcock movie marathon — Watching all of these movies made in the 50′s / 60′s which were so unquestionably more “modern” than any film I’d seen in my life up to that point. Both were confusing and educational. Alfred Hitchcock and Joni Mitchell probably made us re-think any connection we had presumed between quality of art and chronology.

Buy: Roman Candle – Oh Tall Tree in the Ear
++
MP3: Roman Candle – “They Say”

uwmryan @ 1:32 pm
Filed under: 5 Questions w/MoB andAlbums andContests andMP3s andNews
Oasis :: Dig Out Your Soul

Posted on Friday 17 October 2008

By Pete Donahue

If your an Oasis fan who feels cheated because you don’t think an album as great as (What’s the Story) Morning Glory? didn’t get a good, proper follow-up record, then take notice of their latest batch of “choons,” Dig Out Your Soul.

The Mancs seventh full-length is a return to the rock ‘n’ roll fury that made many mad for the band in the first place. Songs like the opener “Bag It Up,” “Waiting For the Rapture,” and “Ain’t Got Nothin’” still wear their expected veils of fuzzy, distorted guitars, but are much influenced by stripped down 60′s garage rock guitars in the vein of the Stooges and MC5. Lead single “The Shock of Lightning” is a soaring romp loaded with hazy guitars, vintage organ, and raucous-but-tight drum beat courtesy of Ringo’s kid. And though there’s let-up in the action for one, no drawn-out guitar solo here nor throughout the album (so take that, Be Here Now). The song also brings back the familiar Liam Gallagher vocal delivery, taking the word “time” and stretching it into a nine-syllable word.

The Noel-fronted “(Get Off Your) High Horse Lady” is a mid-tempo rustic stomp that produces just enough beat that maybe, just maybe, might get people up and dancing. “Get off your high horse, lady/I don’t need a ride tonight/Let me down,” Noel quietly demands. The lead vocals are slightly distorted (a first for Noel?) and a clean, tremolo-treated guitar guides the song, which sounds a bit like a modern-day track appropriate for Neil Young & Crazy Horse’s 1969 album Everybody Knows This is Nowhere.

But Noel really shines with his song “Falling Down,” which is among his finest of gems. The most psychedelic cut of the album, it rides a quick repeating tom-fill on the drums and a quality dosage of trippy organ and firm, clean-sounding piano as Noel sings as if he were, well, falling down, with some of his best lyrics I think he’s ever written: “I tried to talk with God to no avail/Calling my name from out of nowhere/I said ‘if you won’t save me, please don’t waste my time.’” England’s fellow somber songwriters like Chris Martin and Richard Ashcroft would be proud.

It’s worth pointing out that while all four band members contributed at least one song to the album; I find the best non-Noel song is Gem Archer’s “To Be Where There’s Life.” It comes across as an echoey, Indian-influenced tamboura jam that could be mistaken for a long Stone Roses track, and it’s danceable. Liam’s “I’m Outta Time” is a John Lennon-esque song backed by piano and a string section that actually features a spoken word sample of the Beatle himself in the outro. Of Liam’s three songs on the album, “I’m Outta Time” is definitely his best and it’s nice to see he’s still progressing as a songwriter, as he’s come a long way since “Little James.”

The last three of the eleven songs, “Ain’t Got Nothing,” “The Nature of Reality,” and “Solider On,” lack the momentum found on pretty much the rest of the disc. Though they aren’t bad songs, they sound like Oasis songs you’ve heard before, and not the memorable stadium sing-a-longs. But with Dig Out Your Soul, we get a pretty consistent rock and roll album that seems to be more focused than the last few Oasis albums. The songs pretty much stay the course of upbeat rock numbers and we’re spared any ballads that mess with the flow and vibe of the album. Oasis fans may see the reasoning behind calling it Oasis’ Revolver, but it’s also a good contrite collection of songs drawing from a lot of their influences, not just the Beatles, as can be heard. There aren’t really any huge stadium anthems or guitar solo-showcases on this album and I think that’s what makes it best. More keyboards, more strings, and not as many unnecessary layers of guitars.

It will be very, very difficult for Oasis to ever have another album as good as Definitely Maybe or (What’s the Story) Morning Glory?, but the band should be really proud of this one (and I don’t think they’ve ever actually made a bad album, truthfully). When many think the Oasis sound has gone stale and remains unoriginal, they make a few adjustments and soldier on. In your face, Damon Alburn.

Myspace: Oasis

Find MP3′s at The Hype Machine or buy stuff from Strictly Discs | eMusic

uwmryan @ 6:38 am
Filed under: Albums andNews
Oasis & Ryan Adams – 2008 Tour Dates

Posted on Tuesday 30 September 2008

Oasis will soon release long-player number seven, Dig Out Your Soul on October 7th. To coincide with the release, the band will embark on an American tour that also includes opening support from Ryan Adams & The Cardinals. I’ve never seen Oasis, and I’m not sure now is the time, or if I missed their prime. Regardless, I’m interested in this tour, though mostly because of Adams.

Madison fans don’t forget that Ryan Adams & The Cardinals will perform Sunday, October 5th at Overture Hall. There are still some tickets left. Also, remember that Cardinology drops October 28th on Lost Highway.

Oasis & Ryan Adams – 2008 Tour Dates

Dec. 3 – Oakland, CA Oracle Arena
Dec. 4 – Los Angeles, CA Staples Center
Dec. 6 – Las Vegas, NV The Pearl
Dec. 8 – Denver, CO Broomfield Events Ctr.
Dec. 10 – Minneapolis, MN Target Center
Dec. 12 – Chicago, IL Allstate Arena
Dec. 13 – Detroit, MI Palace of Auburn Hills
Dec. 15 – London, ON John LaBattCentre (rescheduled 9/9 date)
Dec. 17 – New York, NY Madison Sq. Garden
Dec. 19 – Camden, NJ Susquehanna Center
Dec. 20 – Washington, DC GMU Patriot Center

Find more MP3′s at The Hype Machine or buy stuff from Strictly Discs | eMusic

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uwmryan @ 7:29 am
Filed under: Concerts andNews