Sad Songs & Waltzes :: Roadside Graves

Posted on Thursday 27 May 2010

(Sad Songs & Waltzes is a recurring feature on Muzzle of Bees, where artists share their favorite sad songs. Previous contributors include Damien Jurado, Kasey Anderson and Will Phalen.)

Send in the Clowns – Sad Song of the Year
(1973, Stephen Sondheim)

By John Gleason | Roadside Graves

I believe it was midway through the seventh listen in a row to this song that my wife said, “I thought you hate clowns”.

Everyone hates clowns. At least that’s how it seems when I share my own personal fears with others. I have a recurring dream where I’m being chased by an average sized clown in the dark. He always catches up and then as I turn my head over my right shoulder he lifts his foot towards me and it immediately inflates in size and crushes me. Wake up. Then back to sleep.

Doctors foolishly frame pictures of them to relieve a child’s stress level, but could easily be blamed for creating this fear. When I think of a doctor’s room the first two images I have are needles and clowns. If you don’t hate clowns someday you will.

Clowns have every intention of cheering you up. Yet to imagine who is behind the make-up just depresses me. The unappreciated work that must go into putting on a face, picking out an outfit, and walking proudly in those shoes is tragic and obscene. These are the clowns arriving in this sad song. Arriving too late, if at all.

Sad songs bring the listless to the dance floor. The acne boys smile.

In the winter it’s Townes Van Zandt and Leonard Cohen and a bowl of soup.

Lately though it’s been this song, Send in the Clowns, specifically the Judy Collins version even though Mark Kozelek does it better I prefer Judy’s as it brings out the middle aged woman in me. I cried once while watching a Fleetwood Mac concert on VH1, Lindsey was singing and Stevie quietly came up behind him and put her hand on his shoulder for the duration of the song. Each year I become obsessed with a song (Kiss Me Deadly being a close second this year), but I’m a poor listener as I tend to not pay attention to what the song means and I could care less about what the chords are. I simply play it repeatedly because of how it makes me feel. Send in the Clowns tells me it’s ok to be a failure, to have regrets, to shake at the big sweeping decisions.

Man, I’ve been in bands since I was 15, I’ll be 33 next week and there are many nights where I’m a failure. And I have no intention of quitting. How do you continue? Well, you listen to Send in the Clowns, drink heavily, and consider yourself fortunate if someone is sleeping next to you.

Be it artistic or personal people seek approval. Praise is rare. Simple and honest recognition goes along way. The narrator in the song seems to have carried his/her life on the success or failure of a career and only at the end when no one is there does it seem to have an impact. When we are old will we be satisfied on how we treated our family and friends? Or will we wake up to the son of a bitch we really were. “I thought that you’d want what I’d want, sorry my dear”

Buy: The Very Best of Judy Collins | Roadside Graves – You Won’t Be Happy With Me
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MP3: Judy Collins – “Send In The Clowns”
MP3: Mark Kozelek – “Send In The Clowns”
MP3: Roadside Graves – “Far and Wide”
MP3: Roadside Graves – “Liv Tyler”

uwmryan @ 1:37 pm
Filed under: News andSad Songs & Waltzes
Review: Muzzle of Bees Backyard BBQ (SXSW)

Posted on Tuesday 23 March 2010

By Jake Feala

The beauty of South-by-Southwest is that you’re equally likely to see music in a dingy bar, a bohemian coffee shop, or a giant outdoor stage. Friday’s backyard barbeque, though, would have to be the most unique SXSW venue I’ve seen yet. Butterflies and charcoal smoke swirled in the air on an incredibly pleasant Austin afternoon. Only a short cab from downtown, the place was quite literally a backyard — two in fact — with an old, short wooden fence separating the hang-out/food yard from the music yard. Right in front of the stage (just a short platform in front of an old, decrepit shed), a swing hung by chains from a tree that also housed a little tree-fort platform offering a bird’s eye view of the bands. Everyone in the place agreed that this was one of the best events they had been to at SXSW, and most stuck around all day.

Daytrotter was around to record a fantastic lineup of bands. Juniper Tar started off the lineup with a quick taste of their old-school rock, offering sweet three-part harmonies to the birds in trees with “Birds In Trees.” Tim from Strand of Oaks came onstage to play “Sterling,” which the guys from Juniper Tar helped boil into a long, awesome Neil Young-Crazy Horse style jam.

Next up came Roadside Graves, and I write this today wearing their T-shirt in honor of the rocking set they gave us on that gorgeous afternoon. Their singer, a genuine, jolly dude with short red hair, colors his songs with a unique dance I like to call the “jumpy-stomp.” My friend Seth whispered in my ear that he was smiling “like he just pulled up a 42-inch sturgeon.” The band sounds like a bluegrass version of the E Street Band, but their secret weapon is the keyboardist, who slayed us song after song with a mix of organ and electric piano, his hands jumping across an array of keyboards, and a cigarette dangling from his mouth. Roadside Graves ended the set by wandering into the yard for the acoustic arm-waving revival, “Jail.”

The Lovely Feathers cut through the comfy folk haze of the early afternoon with their funky electropop, and the lo-fi vocals of The Love Language kept the party moving with some great, (dare I say) Strokesy tunes. Still Life Still played next, with rich layers and detailed percussion that reminded us a lot of Broken Social Scene. The similarities don’t stop there — they sound like they might use the same metallic distortion of the vocals as B.S.S., and they even hail from the same native Toronto.

SXSW is the best festival in the world for stumbling across great, emerging new bands, and for me the best finds of the day were both at the Muzzle Of Bees barbecue. The Loom was the first of those, and they drew me in with upbeat multi-instrumental arrangements including French horn, trumpet, and ukelele (or possibly a mandolin — it was hard to tell from my tree fort vantage). I heard a little of The National in their horn-backed crescendos, as well as shades of Sons and Daughters in a few of their stomping duets. Afterward I joined many people in making verbal notes-to-self to check out The Loom when they get home.

Odawas provided a sweet alt-country soundtrack for my jalapeno sausage break, the electric cello a nice transition for the more upbeat bands soon to come. These United States greeted the sunset and woke up the barbeque with a rocking set. The other band on my “check out” list, These United States came highly recommended by Ryan, who was blown away by their bar band blues at last year’s festival. The singer is a great frontman in an era of few good frontmen, and — please understand that this is actually a good thing — most of the time he sounds like he’s shouting his wild lyrics through a tin can.

This part — the part where I introduce the final band of the night, Rural Alberta Advantage — is the part where I have to force myself not to gush. I have nothing but glowing praise for RAA’s music, a sparse three-piece with fast, complex percussion and powerful vocals almost indistinguishable from Jeff Mangum of Neutral Milk Hotel. Even so, it’s uncouth to fawn over a band, even though their album Hometowns has been on such heavy rotation for me that it recently cracked my top 20 artists on LastFM and for months has been my go-to album for long, excited car rides whenever the destination is worthy enough for their yodeling sing-along melodies. As a nice bonus, the members are also genuinely nice people, as Canadians generally are, and deserve high praise just for karma’s sake, but I’ll just stop there and just implore you to check them out if you haven’t yet. Anyway, as you can imagine, their set was my most anticipated of the weekend and R.A.A didn’t disappoint, pulling the lounging, blissed-out crowd out of their lawn chairs and up to the stage to dance and holler along to the music just like you’re supposed to do at a backyard barbeque.

Coming home buzzed and sleepy from all day out in the yard, it occurred to me that this one lineup, on this one afternoon, might have been worth the plane ticket to Austin all by itself. Speaking as a fan of the bands and as someone who had absolutely no part in its organization and clean-up, I’d say it would be a shame if we didn’t do it all again next year.

uwmryan @ 2:20 pm
Filed under: Concerts andNews andPhotos andSXSW
SXSW :: Muzzle of Bees Backyard BBQ

Posted on Monday 8 March 2010

bbq

We’re throwing a free backyard bbq in Austin on Friday, March 19th from 12pm – 7pm with some of our favorite bands during SXSW. The event will be held at a private residence, with limited admittance. Please RSVP (full for now) for the address. Food and beverage will be provided. Bring your friends and let’s hang out.

Muzzle of Bees Backyard BBQ Line Up:

12:30-12:50 | Juniper Tar
1:00-1:30 | Roadside Graves
1:45-2:15 | The Lovely Feathers
2:30-3:00 | The Love Language
3:15-3:45 | Still Life Still
4:00-4:30 | The Loom
4:45-5:15 | Odawas
5:30-6:00 | The Rural Alberta Advantage
6:15-6:45 | These United States

Elsewhere: Muzzleofbees.com SXSW Thursday Day Party

uwmryan @ 10:10 am
Filed under: Concerts andNews andSXSW
SXSW x Muzzle of Bees

Posted on Friday 19 February 2010

We are thrilled to announce our free SXSW day party going down at Habana Calle 6 in Austin on Thursday, March 18th. Across two stages, from 11am-5pm, we’re showcasing Milwaukee’s best alongside some of our favorite national acts.

Underground:

11:00 – Peter Wolf Crier
12:00 – Blair
1:00 – Charlie Parr
2:00 – Invade Rome
3:00 – Juniper Tar
4:00 – Roadside Graves

Patio:

11:00 – Group of the Altos
12:00 – Conrad Plymouth
1:00 – Strand of Oaks
2:00 – Common Loon
3:00 – Pezzettino
4:00 – Kings Go Forth

Admission is free, RSVP here.

Sponsored by MindPool Live & MillerCoors

Flier: Erik

uwmryan @ 12:00 pm
Filed under: Concerts andNews andSXSW
Muzzle of Bees + 91.7 WMSE Podcast :: Volume 39

Posted on Friday 19 February 2010

RecordPlayer

Welcome to the 39th podcast/download I’m co-hosting with Ryan Schleicher at 91.7 WMSE.

Muzzle of Bees + 91.7 WMSE Podcast :: Volume 39

Galactic – “Friends of Science” / The Growlers – “Wet Dreams” / Drakkar Sauna – “Nuclear Medicine” / Post Data – “In Chemicals” / Roadside Graves – “Jesus Is A Friend Of The Family” / Kasey Anderson – “Bellingham Blues” / Neil Young & Crazy Horse – “Round & Round (It Won’t Be Long)” / Juniper Tar – “Strings” / Frank Hoier & the Weber Brothers – “Time Flies (When You Are With The One You Love) / Sharon Van Etten – “Love More” / The Low Anthem – “Keep On The Sunny Side” / Eef Barzelay – “Two Tickets To Paradise” / Carolina Chocolate Drops – “Your Baby Ain’t Sweet Like Mine” / Ben Sollee & Daniel Martin Moore – “Sweet Marie” / Bakers at Dawn – “Undefined” / Bonnie ‘Prince’ Billy – “The Seedling”

Download: Muzzle of Bees + 91.7 WMSE Podcast :: Volume 39
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Subscribe: Muzzle of Bees + 91.7 WMSE Podcast

[photo by Haley Jane Samuelson]

uwmryan @ 10:36 am
Filed under: Albums andConcerts andNews andPodcast
Best Albums of 2009

Posted on Tuesday 22 December 2009

IandLoveandYou

01 The Avett Brothers | I and Love and You (buy)
I don’t think it would be possible to look back at 2009 and not think about the Avett Brothers and this record. The two will be forever cemented in time together. I saw the band in Chicago, San Francisco and Madison – each time different, but wonderful memories that made up some of my favorite nights of the year. This record chases down big dreams, is the product of hard work and relentless dedication, it’s going all in and reaping big rewards. I’m thrilled to see one of my favorite bands work with an amazing producer, sign to a great label, and feel the satisfaction of success. The success of I and Love and You is what we should all hope/wish for all our favorite bands no matter our desire to keep them like a secret. It’s not too late to jump aboard the Avett express, they’ll be touring, per usual, through the states in 2010.

02 A.A. Bondy | When The Devil’s Loose (buy)
If you saw either of A.A. Bondy’s two Milwaukee performances this year, you saw an artist put on two different, but amazing shows. He demonstrated what we already knew the first time around; his material holds up with only voice, guitar and the occasional harmonica. The second time through, he brought along two musicians, rounding things out and adding depth to the fantastic new material found here on When The Devil’s Loose. I’d argue that Bondy’s type is a dying breed. I have no problem saying he very well may be the Dylan of this generation. I love his music that much, and sincerely hope his popularity soars going forward.

03 Strand of Oaks | Leave Ruin (buy)
I discovered Timothy Showalter and Strand of Oaks via an e-mail from a mutual friend that included a download link. “I thought I was too old to have dreams like these” is the opening line of this album. I was 100% sucked in. I spent the majority of that next month listening to Leave Ruin only. The songs on this album are heavy in content, but welcoming and inviting in sound. I challenge anyone to listen to “Two Kids” or “End In Flames” and not purchase this record. If you’re looking for an artist on the very verge of exploding in popularity, grab this record and tell your friends you were there at the beginning.

04 Built To Spill – There Is No Enemy (buy)
If this list was a showcase of my favorite album of the last three or four months, the latest from Built To Spill would without a doubt be my most played record. This album has rekindled my love for the band and has me pouring through live shows, videos and their back catalog all over again. I hope Martsch and company keep the albums coming. Another round of tour dates would be welcomed and worth traveling for especially if it showcased There Is No Enemy material.

05 Dawes | North Hills (buy)
One of the best new bands to emerge in 2009. I had the good fortune of seeing Dawes on the Daytrotter Barnstorming tour earlier this year and I was simply enamored with their live show. I distinctly remember telling everyone that would listen how incredible their set was the next day. Anyone who has seen this band live knows that their talent far exceeds their years. The good news is that their album is just as fine. This is one of the albums I’ve given out a lot over the course of the year and haven’t had one person respond with anything other than their highest praise.

06 Megafaun | Gather, Form & Fly (buy)
An offering that is true to folk music with a dash of experimental, combined with perfect harmonies, Megafaun made an album that is simply gorgeous from beginning to end. When I first heard it I thought it was a great summer record, though now that the cold has reared its face, I’m beginning to love the warmth it brings. It doesn’t get much better than this kids.

07 The Wooden Birds | Magnolia (buy)
The percussion on this album is stunning. I played it daily the first half of the year. It’s an album that I feel is far too under-appreciated and will be one of those that people look back on next year and wish they’d taken the time to acquaint themselves with it sooner. The delicate/hushed vocals combined with the aforementioned brilliant percussion makes this one of the catchiest albums of the year.

08 Elvis Perkins | Elvis Perkins In Dearland (buy)
Elvis Perkins has become somewhat of a white whale in terms of catching him live. It seems like every time he’s close to town I’m not around. This album contains one of my absolute favorite songs of the year, “Doomsday.” I didn’t think Perkins could top Ash Wednesday, but after spending a lot of time with this record, I think he did just that.

09 The Antlers | Hospice (buy)
An album that is almost too sad to listen to. A great late night driving record. A spectacular headphone record. I’m still waiting for chance to see these guys live. I’m not going to miss their Chicago show next month.

10 Bonnie ‘Prince’ Billy | Beware (buy)
This album would have never made the list had I not seen Bonnie ‘Prince’ Billy live this year. While I expected to be impressed, I walked out of that show an even bigger fan than I’d ever been in the past. I didn’t think that was possible. The Will Oldham cannon of work is large, impressive and daunting. If you’re a first timer, looking for a place to get your feet with, this would be a fantastic introduction.

11 Wilco | Wilco (The Album) (buy)
12 Heartless Bastards | The Mountain (buy)
13 Lucero | 1372 Overton Park (buy)
14 Roadside Graves | My Son’s Home (buy)
15 The Felice Brothers | Run Chicken Run (buy)
16 St. Vincent | Actor (buy)
17 Langhorne Slim | Be Set Free (buy)
18 David Rawlings Machine | A Friend of a Friend (buy)
19 Portugal. The Man | The Satanic Satanist (buy)
20 Sam Baker | Cotton (buy)
21 Rain Machine | Rain Machine (buy)
22 Thao with the Get Down Stay Down | Know Better Learn Faster (buy)
23 Edward Sharpe & The Magnetic Zeros | Up From Below (buy)
24 Great Lake Swimmers | Lost Channels (buy)
25 Buddy & Julie Miller | Written In Chalk (buy)

Wish We Knew You Last Year: The Two Best Records From 2008 That We Found In 2009

The Rural Alberta Advantage | Hometowns (buy)
Originally self-released in 2008, my first introduction to The Rural Alberta Advantage was by happenstance. They were opening for Grizzly Bear at the Central Presbyterian Church in Austin at SXSW. I figured if I wanted to see Grizzly Bear, I’d best get there early. I was rewarded by finding one of my new favorite bands. We’ve played them on our podcast non-stop and their show at the Cactus Club during Radio Summer Camp was one of the best shows of the year.

The Low Anthem | Oh My God Charlie Darwin (buy)
Another self-released album in 2008 that got picked up and given a proper send off by Nonesuch Records. It balances between delicate falsetto and Tom Waits style barking. I love it all. One of my best memories all year was getting to watch a little bit of their Hear Ya Session in person while in Chicago for Lollapalooza. I’m looking forward to catching them supporting the Avett Brothers on the road next year.

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CLICK TO READ THE MUZZLE OF BEES CONTRIBUTORS FAVORITES OF THE YEAR —-> (more…)

uwmryan @ 9:41 pm
Filed under: Albums andNews andWe Like